Whitten had seen African sculptures at the Brooklyn Museum and

Whitten had seen African sculptures at the Brooklyn Museum and

major works by artist Jack Whitten discovered

Canada Goose Parka So give the case of Jack Whitten and his sculpture a moment’s consideration. Canada Goose Parka

When Whitten died this year, little more than a year after being presented with the National Medal of Arts by President Barack Obama, almost Canada Goose sale no one knew about the half century of sculpture he had under his belt. That’s partly because the sculptures were made, and remained, mostly in his home in a small village on the Greek island of Crete, where he had spent almost every summer since 1969.

Canada Goose Outlet It’s also because Whitten’s painting wasn’t yet as well known to the general public as it deserved to be. It still isn’t although over the past Canada Goose Coats On Sale decade that has certainly begun to change. It’s common today to find Whitten’s commanding, technically audacious, subtly buzzing and politically charged abstract paintings hanging in major museums around the country. Canada Goose Outlet

canada goose Artist Jack Whitten in Agia Galini, 1973. (Courtesy Jack Whitten) canada goose

canada goose deals But it’s Whitten’s sculptures canada goose uk shop some never previously exhibited publicly outside Crete that are now the subject of a major show at the Baltimore Museum of Art (through July 29). “Odyssey: Jack Whitten sculpture, 1963 2017” will open at the Metropolitan Museum of Art in early September. canada goose deals

canada goose coats Inspired by Whitten’s African American heritage, his political awareness (he grew up in Alabama “a brutal, racist state,” as he said and helped organize a major civil rights march in Baton Rouge in 1960), as well as by African sculpture, science and canada goose coats on sale nature, daily life in Crete, and ancient Greek mythology, this body of sculpture attests to an artistic intelligence working cheap Canada Goose at full throttle, unfettered by outside expectations. canada goose coats

buy canada goose jacket More than simply art works intended for aesthetic appreciation, Whitten’s sculptures are freighted with evidence of their maker’s eager canada goose store engagement with a wider responsibility to life, to love, to a shared predicament. They are totems, testimonials, tools, guardian figures, memorials, icons. buy canada goose jacket

canada goose black friday sale They’re never less than striking. Although aligned, superficially, with a modernist embrace of natural materials and essential, organic forms, they burst with buy canada goose jacket ideas and allusions. They relish rule breaking. Carved from many different kinds of wood, they’re also made from nails, marble, stone, lead, acrylic, fishing wire, fish bones, animal skeletons and random detritus, including circuit boards, photographs and plastic credit cards. canada goose black friday sale

‘Homage to Malcolm,’ 1965

canada goose store Whitten made “Homage to Malcolm” just months after the assassination of Malcolm X. He had begun carving wood three years earlier, after moving to New York’s Lower East Side and while studying at Cooper Union. In the early ’60s, he was hanging out in jazz clubs and at the Cedar Bar, getting to know the likes of Willem Canada Goose Outlet de Kooning, Bob Thompson, LeRoi Jones, Allen Ginsberg, Jack Kerouac, Ornette Coleman and Miles Davis. He also http://www.mycanadagoosejacket.org met Allan Stone, his first dealer. Stone had a growing collection of African art. Whitten had seen African sculptures at the Brooklyn Museum and the Metropolitan Museum of Art, as well as in books, and he knew about the impact of African art on European modernists such as Picasso and Matisse. But after he began handling the pieces in Stone’s collection, he sensed an element missing from their responses an indefinable spiritual component, which, although it initially eluded him (he grew up fundamentalist Christian), gradually took on greater weight. The embedded nails, chains and screws in “Homage to Malcolm” are their own kind of homage: to Central African nkisi n’kondi, carved power figures that act as spiritual vessels and protective forces. The rest of this strange, weapon like piece is carved from American elm. The horn shape at one end, the use of mixed media embedded in wood and the asymmetrical composition are all elements Whitten returned to in canada goose uk outlet later sculptures. canada goose store

Canada Goose sale Jack Whitten. “John Lennon Altarpiece,” 1968. (Genevieve Hanson/Jack Whitten Estate and Hauser Wirth) Canada Goose sale

Canada Goose Jackets “Apollonian Sword,” 2014. (Genevieve Hanson/Jack Whitten Estate and Hauser Wirth) Canada Goose Jackets

‘John Lennon Altarpiece,’ 1968

Canada Goose online Among the teeming metal objects hammered in or affixed to this piece of American white oak, carved to resemble a torso, are hinges, locks, keys, fans and stray pieces of wire. Also visible is a small, glass covered container of organic brown rice near the abdomen. It’s another allusion to Central African nkisi figures, which often have organic medicinal substances contained within the abdomen. Whitten’s sculptures have an almost talismanic power; but they are full of private feeling, hidden items and humor, and they delight in anomalous juxtapositions. Canada Goose online

‘Phoenix for the Youth of Canada Goose Parka Greece,’ 1983

canada goose clearance Whitten first went to Greece with his wife, Mary Staikos, in 1969. The following year, they started renting houses in the village of Agia Galini in Crete in the summers. They bought property there in 1984. Whitten did his carving and assembling in his studio in Crete. He kept a kind of shrine, a sculpture he called “The Black Christ,” in a corner, and when he entered the studio he would anoint it with olive oil from Cretan trees, light a candle and ring a bell. “My involvement with all of canadian goose jacket these geometrical objects is the transformation of them into spiritual objects,” he said. He saw his sculptures as objects for use “in the ritual of survival within a technological society.” He made this wall piece, “Phoenix for the Youth of Greece,” as a tribute and beacon of hope for young Greeks. Animal bones nailed together at the base protrude from behind a circular, glass covered case containing crumpled, yellowing paper, with text handwritten in Greek: “Using the bones from the past, we can understand the present and Canada Goose Jackets foresee the future.” canada goose clearance

buy canada goose jacket cheap ‘Homage to the Kri Kri,’ 1985 buy canada goose jacket cheap

canada goose clearance sale In some ways a return to the formal conception of “Homage to Malcolm,” made 20 years earlier, this piece, which hangs on the wall like an African mask, is actually a tribute to an endangered wild goat, the kri kri or Cretan ibex, canada goose factory sale found in Crete’s White Mountains. The creature with huge curving horns is a descendant of the domesticated goats of the Minoans. The horn shape in Whitten’s piece expresses power, as it does in nkisi carvings, and indeed in “Homage to Malcolm.” Among the objects screwed or nailed in to the upper half is a battered piece of Whitten’s American Express credit card. Whitten kept canada goose uk black friday this buy canada goose jacket cheap sculpture in his studio in Queens, on a wall covered in photos of himself, his friends, Crete, and such figures as Frederick Douglass, Gandhi, James Brown, Josephine Baker and Ray Charles. canada goose clearance sale

canadian goose jacket Jack Whitten. “Homage canada goose black friday sale to the Kri Kri,” 1985. (Genevieve Hanson/Jack Whitten Estate and Hauser Wirth) canadian goose jacket

canada goose coats on sale “Phoenix for the Youth of Greece,” 1983. canada goose outlet (Genevieve Hanson/Jack Whitten Estate and Hauser Wirth) canada goose coats on sale

Jack Whitten. “Homage to Malcolm,” 1965. (Genevieve Hanson/Jack Whitten and Hauser Wirth)

‘The Apollonian Sword,’ 2014

Near the end of his life, Whitten produced a series of masterpieces featuring thin, blade like pieces of smooth white marble protruding from bases of wood, some of Canada Goose online it charred black, and poured molten lead. For this piece, which is over six feet tall, he attacked a chunk of black mulberry wood canada goose coats with a chain saw and drill, then set it on fire. He polished the marble, which he obtained from a quarry in Crete, by hand. After setting the marble into the wood and securing it with a metal pin, he poured molten lead into a cavity, letting it sear the wood and spill over its distressed surface. Whitten “knew of precedents” for this method in Greek architecture, according to Karli Wurzelbacher, in the catalogue. “When constructing the Parthenon temple in Athens, for example, builders used molten lead to secure the columns within their bases.” The sculpture’s forms and surfaces and the processes involved in its making evoke the tragic hero’s struggle to achieve Apollonian order from the Dionysian chaos of fate, as described by Nietzsche in “The Birth of Tragedy.”

‘Atopolis: For douard Glissant,’ 2014

cheap Canada Goose The show concludes with a large gallery filled with Whitten’s late paintings, made with processes that were partly sculptural. Most belong to his “Black Monoliths” series: tributes to important African American figures (James Baldwin, Jacob Lawrence, Barbara Jordan, Maya Angelou) inspired by canada goose clearance a huge, jagged, stone outcrop on the hill behind his house in Crete. “Atopolis: For douard Glissant,” the biggest and the best piece, is not part of the “Monoliths” series. Dedicated to the celebrated post Colonial theorist (Glissant wrote about racism and slavery), the painting is made of eight panels covered in acrylic molds resembling tiles. Like the works of Mark Bradford (yet in a totally different medium), it resembles an aerial view, possibly of a sprawling city, with clusters of radiating lines and dark, empty areas resembling bodies of water or urban parks. The title, “Atopolis,” combines “atopos” (nonplace) and “polis” (city) and alludes to the African diaspora. Although Crete is closer to Africa than it is to Athens, Whitten didn’t travel to Africa until 2001. When he did, he saw, and was profoundly shaken by, the Door of No Return on the coast of uk canada goose outlet Senegal, from where so many Africans, sold into slavery, took their last step on the African continent cheap Canada Goose.

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